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作詞:forute 作曲:forute 編曲:forute 歌:初音ミクDark 翻譯:Shellen Before the Dawn 在黑暗里融化了 在天空上映照著 藍色在變化 被殘留了下來 給夜晚染上了顏色 在那個時刻的世界 無論多少次都在重復 你的名字 無法忘記 無法消除 注意到的話 關于你的一切 無論多少次都會回想起來 超越無法入眠的夜晚 即使僅僅是謊言 即使只有疼痛 無法動彈 充滿苦澀 你的溫度 逐漸地變得冰冷起來 為什么只留下了悲傷的思念 世界也只是這般扭曲運行而已 心臟也還是沒有跳動 完結的音樂 打破了夜晚的寂靜 明天也一定會 無論多少次 以都會呼喚我 無法呼吸的程度的內心 是非常痛苦的 無論如何也要再一次把這聲音 向你傳達 拜托了 還能像那一天一樣 一同歡笑 無法忘記 無法消除 注意到的話 關于你的一切 無論多少次都會回想起來 超越無法入眠的夜晚 即使僅僅是謊言 即使只有疼痛 無法動彈 充滿苦澀 你的溫度 逐漸地變得冰冷起來
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KAfanJPは皆さんの情報で成り立っております。 訳の協力、訂正をよろしくお願いいたします! EW Let’s talk about your new single, “The Truth.” The album version of the song contains your vocals only. Now it’s been re-recorded as a duet of sorts with Train’s Pat Monahan (who co-wrote the song with Toby Gad). How did that come about? Kris Allen It came about through an idea from the label. Their idea was that Pat wrote the song, so why not get him involved in it in some way. And obviously Train is doing really well right now, and I don’t think that can be ignored. Everyone thought it was a good idea. The song wasn’t written as a duet. How did you decide which parts of the song Pat would be singing? Right, it wasn’t written as a duet, and I think the plan was to make it not seem like a typical duet. It wasn’t like, “Hey, I can sing a verse, then he can sing a verse.” ‘Cause then maybe we’re breaking up with each other, and that’s not what we were trying to convey. So we thought it would be good idea to just put him on the bridge. When it comes to the Idol universe, fans take a certain sense of ownership of your career, and they can get pretty worked up if they feel like you’re being done wrong. That was the case with this new version of “The Truth.” People were on the Internet asking, “What are Jive and 19 doing to Kris?” Conversely, though, it’s not like Beyoncé fans were upset when she recut “Video Phone” as a duet with Lady Gaga. Is there a worry that you might get painted with the victim brush? How would you respond to fans who are upset about the addition of Pat Monahan to this song? The funny thing is I get this all the time. “So when can you get out of this contract?” And I’m like, “First of all, hopefully never.” The people I work with are really great. The people at 19 and the people at Jive have been great. I’m not gonna say there haven’t been things that have happened, some conflicts. Not bad stuff — I think it’s just general stuff that goes on between artists and labels or whatever. Questions that come up. I’m very new to this. But it’s really nice to have fans who care about you, who want you to be done right, and for the label and management to treat you right. I think they felt like I wasn’t being cared for and being respected. And I appreciate them worrying about that. But I feel like I am. I really do. In an ideal world, would you have added the Pat Monahan vocals to the record? It never even crossed my mind to do that. So it wouldn’t have happened in my mind. It wasn’t that type of song where you say, “We need someone else on this.” Now that it’s done, I hope it does really well, man. I really do. Beyond how you visualize the song as an artist, I guess the reality is it’s hard out there to get radio play. Was that the mindset behind adding Pat? “Let’s do what we’ve got to do to get traction for this second single”? Well the first single ["Live Like We re Dying"] did so well. It took a while, but it’s done really incredible. It exceeded all my expectations anyway. But me, and everybody at the label, management, we all wanted this second single to do really well, and that was the idea that some people from the label came up with. A minute ago, you alluded to the fact that the new version of “The Truth” could conceivably be construed as a breakup ballad between two men. Was there any concern you were going to radio, which is a fairly conservative space, with a love story of Brokeback Mountain proportions? [Laughs.] It was a worry when the idea first came about. But I think all those worries have kind of been shoved in the closet — no pun intended. [Laughs.] Well, maybe that added layer of drama isn’t such a bad thing for some listeners. Yeah. Were you aware of the movement on Twitter where some of your fans changed their profile pics to elephants to pick up on the line in “The Truth” that goes “it’s the elephant in the room and we pretend that we don’t see it.” For some fans, it was their way of saying, “This song is not written by Kris. This is not the original version. And we are protesting.” And now that “The Truth” is officially the single, the elephant has maybe morphed into a show of support. I think it’s such a huge testament to my fans. I love my fans because they’re smart, dude. They get it. They get behind anything that I do. And so thank you so much to those people. They’ve really gotten behind this. I hope it takes off, I really do. I hope the song takes off. Your own mother had an elephant as her Twitter icon. That’s my mom. Did she want a Kris Allen co-write as the next single? Can we infer that from her elephant? Yeah, probably. She probably wants every song to be a song written by me. But she does like “The Truth,” though. A lot of people were saying David Cook’s album — the label did not go with the David Cook-penned singles to launch the album. And now we’re seeing that happening with you. You wrote or co-wrote the bulk of the album, but the first two singles were not ones you had a hand in writing. Are you going to stamp your feet if the third single doesn’t turn out to be a Kris Allen co-write? Or is it a case of “whatever works at radio”? It’s a little of both, I guess. That said, the only other option on the album [where that scenario could play out] is “Written All Over My Face,” and I really don’t think [that s likely]. I was part of the writing process on every other song on the album [except "Live Like We re Dying," "The Truth," and "Written All Over My Face"]. So yeah, I think it’s a really, really, really good chance the next single will be something I had a hand in writing. [Laughs.] They’re running out of options! Pretty much! Speaking of “Live Like We’re Dying,” you and I spoke shortly after its release, and at the time, it was a little bit of a slow build. But it really took off after — and eventually went platinum. To be honest, I was a little worried when it first came out and it wasn’t doing great. [Laughs.] But I think it’s just about working hard and getting people to hear the song, and then everyone started believing in it a little bit more. I remember getting a text from Keith Urban saying “I’m not gonna lie The first time I heard that song I wasn’t crazy about it. But after a couple listens, I really, really like it.” And I mean, I think that’s how everybody felt about the song. And I think that’s a testament to a good song. You don’t have to love ‘em the first time you hear ‘em. It grew on people. Well, I liked it from the get go. So there! Anyway, you’ve lined up a summer tour with Barenaked Ladies. We’re excited to be on tour with them. They have a huge live following, so that’ll be fun. We get to play in places like Red Rock because of them. We’ll be playing shows every night. Any additions to the set list from when you toured with Keith Urban? We’re gonna add some songs from the album. We haven’t played some of them yet, but once we get to rehearse them, we’ll pretty much play everything off the album. Maybe not at every show — we’ll switch it up. But we will play most of the stuff from the album. We’ve thought about adding some new cover songs. And maybe, maybe — just maybe — you might hear a new song. Maybe a couple. We’ll see what happens. You’ve become well-known for your brilliant mashups like “Falling Slowly”/”With or Without You” and “Heartless”/”Gangster’s Paradise.” Any new ones in the works for your summer dates? We love ‘em. The only reason I ever do them is when you play a song on American Idol and it becomes one of your best, you have to play it so many times, you think “Why not change it up a bit?” So yeah, for me, I don’t want to play just “Heartless.” You might as well mix it with something fun like “Gangster’s Paradise.” Given your penchant for quality mashups, any thoughts of trying to get yourself on Glee? I’ve never watched the show, so I don’t even know what it’s like. Probably not? That’s absolutely blasphemous. But then again, Madonna had reportedly never watched and they built an entire episode around her music. That’s true. Maybe it’s time for a Kris Allen-themed episode. Yeah, y’know, there should be a Kris Allen-themed episode! Yes! Okay, so I have to ask you about last week, where you did a duet with Allison Iraheta at a California high school as part of Oprah Winfrey’s No Phone Zone rally. You guys covered “The Scientist,” and it was all kinds of amazing. That was Allison’s idea. We heard about doing a song together only two days before we had to do it. And I was going out of town [on the second day] so I was like “Frick! What are we gonna do?” So she comes over to my house, I was staying in an apartment, and we go into the stairwell. I had the idea of doing “Desperado,” she had the idea to do “The Scientist,” and that worked way better, so we ran with it. We worked on it maybe 15-20 minutes, and it was really cool. That was the first time we really did a duet together, and obviously you know, she’s incredible, and it’s so much fun to work with her. Did that really happen at 7 a.m.? Yeah, it was really early. I got up at like five o’clock that morning. That was too early to be singing, but… When Oprah puts in a request… You just have to do it, right? Any other scoop you want to share? Um, maybe for August. Just be on the lookout. We’ll keep people updated on tour dates. Your scoop for me is “Maybe for August”? Could you be any more cryptic? What does that mean? Maybe for August! That can be the name of the interview. Michael Slezak
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JACK IN THE BOX 2009 SUMMER 【開催概要】 2009.08.15 (Sat) 幕張メッセ展示場 1-3 OPEN 11 00/START 13 00 ¥10,500(tax in) ※CLUB MAVERICK会員は500円引き 【出演アーティスト】 ・acid android ・DEAD END ・ギルガメッシュ ・Ken ・ムック ・シド ・tetsu ・VAMPS ・ゾロ ・44MAGNUM ・BREAKERZ ・cali≠gari ・筋肉少女帯 ・清春 ・カラス ・MAVERICK DC SUPER ALL STARS 【タイムテーブル】 13 00〜 ゾロ 13 35〜 ギルガメッシュ 14 10〜 cali≠gari 14 45〜 ムック 15 20〜 筋肉少女帯 15 55〜 acid android 16 30〜 清春 17 05〜 カラス 17 30〜 Ken 18 05〜 BREAKERZ 18 30〜18 55 INTERVAL(休憩時間) 18 55〜 tetsu 19 30〜 DEAD END 20 05〜 シド 20 40〜 VAMPS 21 15〜 44MAGNUM 21 45〜 MAVERICK DC SUPER ALL STARS ※22 00頃終了 【セットリスト】 ★ゾロ PINK パノラマHOP 閃光 warp COSMO「S」フューチャー http //www.youtube.com/watch?v=hAT-Qb1p1-o ★ギルガメッシュ Break Down アングリージュース BORDER 睡蓮 CRAZY-FLAG evolution http //www.youtube.com/watch?v=ooy-EfNDTCM ★cali≠gari エロトピア ―踏— スクールゾーン マグロ 混沌の猿 サイレン ★ムック 咆哮 アゲハ ファズ 蘭鋳 http //www.youtube.com/watch?v=bfR-CYxGf70 ★筋肉少女帯 踊るダメ人間 日本印度化計画 人間嫌いの歌 モーレツ ア太郎 釈迦 http //www.youtube.com/watch?v=mOmFlIsqzDo ★acid android enmity egotistic ideal daze ring the noise let s dance ★清春 pretty GROOVER DARLENE ALIEN MASKED CREATURE COME HOME SANDY ★カラス Like @ Angel Red LASTICA ★Ken "S" ETERNAL REST In Physical Gimme Your Name Spin Along ★BREAKERZ NO SEX NO LIFE SUMMER PARTY BAMBINO〜バンビーノ〜 灼熱 ★tetsu empty tears Fresh(仮) REVERSE Roulette lonely girl ★DEAD END Dance Macabre Psychomania I Want Your Love Serafine Dress Burning Perfume Of Violence ★シド 嘘 夏恋 ドラマ 私は雨 ★VAMPS LOVE ADDICT REDRUM TROUBLE DOLLY HUNTING SEX BLOOD ROCK N ROLL http //www.youtube.com/watch?v=oW3CleG99fM ★44MAGNUM IN THE END SOULS SHOW TIME STREET ROCK N ROLLER NO STANDING STILL http //www.youtube.com/watch?v=3gaRfrRMWII ★MAVERICK DC SUPER ALL STARS 44MAGNUM & Vocal. MORRIE (DEAD END) Vocal. kyo (BUG) Vocal. 清春 Vocal. hyde (L Arc-en-Ciel) Vocal. 大槻ケンヂ (筋肉少女帯) Vocal. DAIGO(BREAKERZ) Vocal. 逹瑯 (ムック) Vocal. マオ (シド) Vocal. 左迅 (ギルガメッシュ) Vocal. 龍寺 (ゾロ) & MAVERICK DC SUPER ALL STARS SATISFACTION 【アーカイブ】 ■JACK IN THE BOX 2009 SUMMER Wikiメニュー JACK IN THE BOX 2009 SUMMER まとめWikiトップページ JACK IN THE BOX 2009 SUMMER まとめWiki 携帯用トップページ JACK IN THE BOX 2009 SUMMER まとめWiki 携帯用トップページ(当日用) 関連ニュース 会場(幕張メッセ)について フェス予備知識:マナー、持ち物等 タイムテーブル グッズ一覧 ホスピタリティエリア ■JACK IN THE BOX 2009 SUMMER ■JACK IN THE BOC 2009 SUMMER特集サイト ナタリー http //natalie.mu/pp/jackitb BARKS http //www.barks.jp/feature/?id=1000051331 テレビ朝日 http //www.tv-asahi.co.jp/jackinthebox/
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Fresh Milk for the strong body drink_milk_wh_1003.swf Facebook Unisex Pocket Free
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Attumen the HuntsmanはKarazhanの1st Bossである。 彼は彼の馬、Midnightと共にやってくる。 彼は一般的にGear Check Bossと考えられている。 攻撃とアビリティPhase 1Attumen Midnight Phase 2 ストラテジー開始前-開始直後 Phase 1 Phase 2 追記 役割 補足 引用 攻撃とアビリティ Phase 1 Attumen ・通常攻撃:1600-2100dmg。彼はDisarmでき、また、するべきである。 ・Shadow Cleave:全方位に4kdmg Cleave。 ・Mount Up: MidnightのHealthが25%になった時、彼は馬に乗る。 全てのAggroはWipeされ、Healthも全快する。ここからPhase2の始まりである。 Midnight ・通常攻撃:1800dmg。 Phase 2 ・通常攻撃:1600-3300dmg。 ・Shadow Cleave:P1と同じ。 ・Charge:ランダムターゲットにChargeしKnockdown。 ストラテジー 開始前-開始直後 MidnightをPullする所からこの戦闘は始まる。 が、戦闘の前にTrash Mobsを片付けなくてはならない。Trash Mobは約25分でrepopする。 MidnightのHealthが95%になってから数秒後、Attumenがpopする。 この時AttumenのAggroを取るのが難しく、Aggroを取れなければ彼はHealerの所に走って行き、 Healerを一撃で薙ぎ倒して行くだろう。 Phase 1 MidnightはRaidから少し離してOff tankするべきである。 出現したAttumenはTank Keepし、DPSはMidnightを狙う。この時DPS陣はAttumenを攻撃すべきではない。 AttumenはDisarmでき、彼の攻撃力を大きく下げる事ができる。 そしてMidnight(もしくはAttumenの)のHealthが25%になった時、Phase 2がスタートする。 ここで全てのAggroがResetされる事と、AttumenのHealthが100%に戻る事を忘れてはならない。 そして、メンバー全員のHealthを常に最大に保つべきである。 彼のRandom Chargeを喰らうとCloth Classは大体6000近くのダメージを受けるからである。 Phase 2 AttumenにDPS。Random Chargeに注意し、包帯やPotを使って凌ぐ。 可能な限りDisarmを行う事。 追記 メンバー全員が彼のMelee Range内に入っておくと良い。 MTが彼をひきつけ、他のメンバーは彼の背後に入ってMelee Rangeのギリギリまで離れる。 これでAttumenのRandom Chargeを妨害する事ができる。 ただ、MTを除いて誰もMelee Attackをするべきではない。 もし攻撃した場合には、誰かがAttumenの近くに近寄りすぎて全員がChain Cleaveを喰らう事になる。 また、AttumenはMelee/Spellの命中率を-50%するDebuffを使う。 MTがAttumenのAggroを取った瞬間に喰らう事が最も多く、これをCureする事と、 喰らっている間はMTのThreat生成力が低くなっている事を忘れてはならない。 このDebuffは長くは続かない(5-7sec)。 これを除けばPhase 2は単純にTankしてぶっ叩くだけである。 彼は高いHealthを持っているが、ダメージを受けるのはMTのみなので、Healer的には問題ないはずだ。 (#背後からなら普通に殴っておk) 役割 TankはAggroを失ったとき(P1開始時 P2移行時)に注意しなければならない。 AttumenのAggroを取るか(彼はMidnightの隣に沸く)、彼がRaidメンバーに突っ込むかのどちらかである。 DPSはThreat metersをしっかり見て、Tankよりも下のThreatをKeepするように注力。 HealerはTankを生かし続ける。P1時、一人はMidnightのOffTankを十分Healするべきである。 補足 ・Attumenは単純にGear Checkを目的としているMobである。 多くのプレイヤーは彼と戦う作戦は単純なものであると考えているが、彼の攻撃力はとても高い。 もし貴方(のRaid)に何か問題があるとしたら、単にGearが貧弱すぎるのである。 5man InstanceやNaxxに潜ってGearを集めてくるべきである。 ・彼の部屋で最初のTrash Mobを倒した時、貴方のRaidはRepopまで25分の時間を得る。 Attumenを25分で倒せなければ、RepopしたMobは戦闘中Addしてくるだろう。 貴方はクエストNPCの近くにいる5 humansを倒す必要は無い。 ・P1においてMidnightを叩くとAttumenの攻撃力が上がる(未確認?) Midnightではなく、Attumenを叩くのが懸命だろう。 引用 Attumen登場時(MidnightのHealthが95%になった時) 「Who dares attack the steed of the Huntsman?」 Disarmした時 「Weapons are merely a convenience for a warrior of my skill!」 P2以降時 「Come Midnight, let s disperse this petty rabble!」 誰かが殺された時 「Another trophy to add to my collection!」 「It was... inevitable. 」 誰かがMidnightに殺された時 「Well done Midnight!」 死亡時 「Always knew... someday I would become... the hunted.」
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The Separation Of Church And Skate The Irrationality Of Rationality Franco Un-American Idiot's Are Taking Over She's Nubs Mattersville Decom-Posuer Medio-core Anarchy Camp American Errorist (I Hate Hate Haters) We Got Two Jealous Agains 13 Stitches Re-Gaining Unconciousness Whoops, I OD'd The Separation Of Church And Skate [Father ] Hey Kids! [Kids ] Hey Dad! [Father ] What da want to do today? [Kids ] We don t know. [Father ] Wanna go to the matinee? [Kids ] NO! [Father ] Wanna go to the Amusement Park? [Kids ] NO! [Father ] Wanna go to the punk rock show? [Kids ] Yeah! Let s go to the punk rock show! Lost in a sea of combat boots, flush the bouncers with wasted youth When did punk rock become so safe? When did the scene become a joke? The kids who used to live for beer and speed now want their fries and coke Cursing and flipping birds are not allowed, in fact let s keep noise levels down Must separate the church and skate! Why don t we put pads on the kids? Helmets, head gear and mouth pieces! Then we could pad the floor and walls, put cameras inside bathroom stalls We make sure only nice bands play, make every show a matinee Teach kids to be all they can be, and we could sing my country tis of thee sweet land of liberty When did punk rock become so safe? I know it wasn t Duane or Fletcher, Who put up the barricades Like a stake in the heart, Somehow we got driven apart [solo] I want conflict! I want dissent! I want the scene to represent... Our hatred of authority, our fight against complacency stop singing songs about girls and love! You killed the owl! You freed the dove! confrontation and politics... Replaced with harmonies and shticks When did punk rock become so tame? These fucking bands all sound the same We want our fights we want our thugs! We want our burns we want our drugs! where is the violent apathy?! These fucking records are rated G! When did punk rock become so safe?! The Irrationality Of Rationality Frank, the new CEO had to answer to the board. The board was getting anxious, and the shareholders were on a bed, legs in air, ass-cheeks open wide They were about to get fucked like it was their first time. When one makes 20 million, ten thousand people lose. What keeps that one from swallowing a shotgun? Dan, the company man, felt loyalty to the corp. After 16 years of service, and a family to support He actually started to believe the weaponry and chemicals were for national defense. Cause Danny had a mortgage, and a boss to answer to. The guilty don t feel guilty, they learn not to. Helen is living in her car, trying to feed her kids. She got laid off at work, and her house was repossessed. It s hard to think clearly when it s 38 degrees. Desperate people have been known to render desperate deeds. But when she shot that family and moved into their home, The paper read she suffered from dementia. Franco Un-American I never thought about the universe, it made me feel small Never thought about the problems of this planet at all Global warming, radio-active sites Imperialistic wrongs and animal rights! No! Why think of all the bad things when life is so good? Why help with an am when there s always a could ? Let the whales worry about the poisons in the sea Outside of California, it s foreign policy I don t want changes, I have no reactions Your dilemmas are my distractions That s no way to go, Franco Un-American No way to go, Franco Un-American No way to go, Franco Un-American No way to go, Franco, Franco Un-American I never looked around, never second-guessed Then I read some Howard Zinn now I m always depressed And now I can t sleep from years of apathy All because I read a little Noam Chomsky I m eating vegetation, cause of Fast Food Nation I m wearing uncomfortable shoes cause of globalization I m watching Michael Moore expose the awful truth I m listening to Public Enemy and Reagan Youth I see no world peace cause of zealous armed forces I eat no breath-mints cause they re from de-hoofed horses Now I can t believe; what an absolute failure The president s laughing cause we voted for Nader That s no way to go, Franco Un-American No way to go, Franco Un-American No way to go, Franco Un-American Where can we go, Franco Un-American I want to move north and be a Canadian Or hang down low with the nice Australians I don t want to be another "I-don t-care"-ican What are we gonna do Franco, Franco Un-American Idiot s Are Taking Over it s not the right time to be sober now the idiots have taken over spreading like a social cancer, is there an answer? Mensa membership conceding tell me why and how are all the stupid people breeding Watson, it s really elementary the industrial revolution has flipped the bitch on evolution the benevolent and wise are being thwarted, ostracized, what a bummer the world keeps getting dumber insensitivity is standard and faith is being fancied over reason darwin s rollin over in his coffin the fittest are surviving much less often now everything seems to be reversing, and it s worsening someone flopped a steamer in the gene pool now angry mob mentality s no longer the exception, it s the rule and im startin to feel a lot like charlton heston stranded on a primate planet apes and orangutans that ran it to the ground with generals and the armies that obeyed them followers following fables philosophies that enable them to rule without regard there s no point for democracy when ignorance is celebrated political scientists get the same one vote as some Arkansas inbred majority rule, don t work in mental institutions sometimes the smallest softest voice carries the grand biggest solutions what are we left with? a nation of god-fearing pregnant nationalists who feel it s their duty to populate the homeland pass on traditions how to get ahead religions And prosperity via simpleton culture the idiots are takin over [x8] She s Nubs It s kinda hard to wear high heels, or slip on banana peels How does she get in and out of tubs I hope she dont get mad, I hope she thinks this song is good not bad Cause we think that she s totally rad, she s nubs. No fingers, no toes, she doesn t own elbows, No phalanges no knobby knees to knock She don t need knuckles or hands to go see punk rock bands She s always in the stands, she s nubs She can t pick up a phone, she can t get dressed alone She s got no funny bone, she s nubs No shoes for feet but we sure do think she s neat, she s nubs, she s nubs, she s nubs. I asked her if she want a drink, I asked her if she liked Toronto, I asked her to go out to the bar, but all she said was no thanks, no and no It was time for us to leave, so I grabbed and shook her sleeve and told her I d see her at the next club she got into a pack and some guy put her on his back, she said goodbye and kinda waved her stub She s got beauitful eyes, and breasts regular size, but without calves and thighs, she s nubs It s hard to give good head or get tied to a bed, when all you ve got is a body and head, she s nubs She s nubs, She s nubs, She s nubs... Oh she may not walk the walk, and she may not like to talk But boy she sure knows how to rock, she s nubs. Mattersville There s a place some of us choose to live Gated community cops cant come in A neighborhood for punks over the hill We spend our golden years in Mattersville We can do whatever we want, whenever we please There s always a keg of beer and a block of cheese We got caroms*, pinball, Asteroids Space Invaders and Missile Command We will grow old, together We will play Bridge and Texas Hold Em Dwayne and steve and kev they still skateboard But most of us lawn-bowl and shuffleboard We may be getting ripe, but we ain t bored We got a blackboard with some rules and laws Hefe s got an 18-car garage Most of the cars are smashed and so is Spike Twice a week on karaoke night Eric Melvin lives next door to me Limo and the Locknecks head security At the end of my cul-de-sac Davey Havok s house is painted black We will grow old and fatter We got our ville so what else matters Trashy, mod and kev they re stayin up Nathan, Matt, and Dan are passin out California cracks we re goin down doo doo, doo doo, do do do doo, doo doo da da daa, daa daa, da da da daa, da da da Decom-Posuer She s a painting outta focus with no good sense of intention she s authentic She s a model of disaster with a heart of revolution She s so innocent, but guilty s her plea Everybody wants to save her from herself They really want to save themselves She s got the grace, of a tourist, with the charm of demolition She s a poem without meter or rhyme a random design of a flower Like a rose no one really knows She s a master piece deserving restoration or condemnation time will tell us If she s a lifer or a decomposuer she s the rose no one really knows Medio-core Medio Core It s not forsaken The music they re makin Will leave you with a feeling of indifference How was the band? They were okay (okay) Not great (all right) But pretty good They played the songs I knew they would Some old Some new The same formula stays true We can conquer It s medio-core Sing Sing a song Make it simple So all the kids can sing along (ahh) Sing along (ahh) The list keeps growin The melodies been stolen Remind me of songs sung in the 70 s You might fool the kids But you don t fool me Have you ever heard of something called aboriginality? Is it absurd To compose music no one s ever heard Predictability Like a bussom will comfort them My one true foe L.C.D. (Medio-core) It s upper powered The riffs are all deflowered (Medio-core) It s spreading faster Than British tooth decay (Medio-core) Are you ready to rock? How ya ll doing tonight? (Medio-core) You condescending fucks Make me wanna laugh and puke at the same time. (Medio-core) I want to speak This song sounds like fifteen you ve heard before Medio-core Sing Sing a song Make it simple So all the kids can sing along (ahh) Sing along (ahh) Anarchy Camp I got an invitation to go to anarchy camp there will be twistin , fistin , biting, fighting all in an evening the soundtrack will go multi platinum, barbecue a boca while the effigies burn you may not wanna stay to see how we take care of a turncoat Christiania s kinda far away so come along with me we can dance and trip and be anarchists we gotta get the manual and put it in the oven til it cooks then we re gonna take the ashes to the wassail and use them to spike the punch rules of anarchy camp reckless abandonment, random acts of dumbness will be rewarded if you see somebody taking charge, you ll be expected to beat them cause everyone who s no one, will be participating no one who is someone, will ever get to know the joys of anarchism, destruction of the system, yeah! so come along with us, salad days and nights on the anarchaic bus we re gonna pick up indigents and crusties and a half a dozen nuts and we re never coming home underwater basket-weaving (we got some arts and crafts) meth-amphetamine symposiums (they last a couple days) African killer spelling bees (you better get it right) bowling in ice hockey rinks (of course checking is allowed) anarchy camp s never inert (you think we don t know that it s) not much fun til someone gets hurt (our only motto) so we re greasing up the rusty vert ramp time to make some reservations for next years anarchy camp American Errorist (I Hate Hate Haters) It’s ok, allow yourself a little hate Hatred is not so bad when directed at injustice You can turn the other cheek, just don’t turn the other way Enemy of the planet we finally have a common aim a reason to forget about our differences and stand as a united front It’s up to us, we must expose, Humiliate American errorists We’ll start with one The war has just begun The war has just begun! We Got Two Jealous Agains I thought you were the one when I heard Holidays in the sun come from your bedroom but my mind started to stray when I saw Youth of Today mixed with your singles what s with this underdog and this GNR EP? I don t think Hanoi rocks and i don t want your Paul Stanley next to my Subhumans gatefold I m not trying to be a jerk but I don t think this record mergers gonna work but when I saw Christ on Parade, and This is Boston, Not LA I knew you were the one I knew you were for me when i saw the first Vandals EP I found SNFU and cool I owned that record too seems we both had Social Unrest and sung "she s a pervert nurse" we both had the first pressing of How Could Hell Be Any Worse so now we got two Earth ADs and we got two Killing Jokes we got two Adolescents two Peni s and two The Crews we got two Someone Got Their Head Kicked Ins we got two Declines, two Damaged and two Jelous Agains, i knew you were the one when i saw Machine Gun Etiquette i knew you were the one when i saw the Peace War comp we got two Articles of Faith, 31 minutes of group sex we got a couple of Avengers, and a pair of Out Of Steps we got 2 What We Do Is Secret, we got 2 TSOL s we got 2 Freedom Of Choices we got two Three Hits From Hells i knew you were the one 13 Stitches the first time i saw the descendents, they were the fastest band i d ever seen no one in the crowd really cared for them, we were waiting for The Ally Cats to play after a couple months i heard Kabuki Girl, on Rodney On The Roo late sunday night that was enough for me, i hopped the bus to Licorice Pizza and baught my all time favorite record the next time i went to the whiskey, it was DOA with Millions of Dead Cops the latter band played faster than i could believe but the songs sounded the same and kinda sucked cept John Wayne was a Nazi, and Joey Shithead was a drunk then John Macias beat some hippie to a pulp, cuz having long hair was a mistake the third time i went to the hospital, i needed 13 stitches in my head i managed to catch about 6 songs of Ill Repute, then some suicidal threw me into a post my girlfriend started to cry cuz we had to leave before DRI played 50 lousy songs my blood stained shirt smelled of clove cigarettes but it sure looked pretty cool after a wash Re-Gaining Unconciousness First they put away the dealers, keep our kids safe and off the street. Then they put away the prostitutes, keep married men cloistered at home. Then they shooed away the bums, then they beat and bashed the queers, turned away asylum-seekers, fed us suspicions and fears. We didn’t raise our voice, we didn’t make a fuss. It’s funny there was no one left to notice when they came for us. Looks like witches are in season, you better fly your flag and be aware of anyone who might fit the description, diversity is now our biggest fear. Now with our conversations tapped and our differences exposed, how ya supposed to love your neighbor with our minds and curtains closed? We used to worry ‘bout big brother, now we got a big father and an even bigger muther. And still you believe this aristocracy gives a fuck about you. They put the mock in demockracy and you swallowed every hook. The sad truth is you would rather follow the school into the net cuz swimming alone at sea is not the kind of freedom you actually want. So go back to your crib and suck on a tit go bask in the warmth of your diaper. You’re sitting in shit and piss while sucking a huge pacifier, a country of adult infants. A legion of mental midgets all regaining their unconsciousness Whoops, I OD d Whoops I OD d, Shortness of breath. Call ambulance, Tell my wife I {love her}. Error in judgement cut my life, No second chance, no guiding light. I never meant to cause you pain, I never thought I d be the one who took the fall. I got lost in the moment, Assholes like to test the limit. Six minutes down, Breathing machine, Brain not feel right. The look on you is killing me, Drowning in shame but don t feel bad. Cause I never feared consequences. Hate regrets more than apologies. A year has passed, like photographs. My life is just a scrapbook, Of old friends and faded memories. Looks like I pulled the rug from under myself. The fall s too much for me to recover from. It s been real fun but now I must say goodbye. I ll see you all at Okie Dogs, I ll see you all at Okie Dogs.
https://w.atwiki.jp/wrtb/pages/11977.html
A Mood for Food 原題:A Mood for Food 作曲・作詞:ニコラス・マランダ* 楽曲:『The Jungle Book Groove Party』(2000年) ゲーム The Jungle Book Groove Party 英語 ジム・カミングス(カー) ゲームのために書き下ろされた新規楽曲。 ステージ6の楽曲として使われている。
https://w.atwiki.jp/l4d2vs/pages/14.html
#ref error :ご指定のファイルが見つかりません。ファイル名を確認して、再度指定してください。 (boomer.JPG) 感染者名 The Boomer (通称:豚) 体力 50 RT 胆汁吐きかけ かかった生存者は視界が悪くなり、通常感染者を呼び寄せる LT ツメ攻撃 ダメージ4 基本知識 感染者 Boomer は声で位置がバレやすい為、胆汁をかける直前までスポーンしないようにしよう。そして、生存者達のゲロがかかる位置でスポーンしよう。 野良の場合、他の感染者達は Boomer が生存者達に胆汁をかけるまで出ない場合が多い。しかしこれはそのときのチームメイトやマップによる。その場の雰囲気で判断し自分が最初に攻撃すべきか判断しよう ある程度レベルの高い生存者相手では、Boomer が最初にかけるというのはほぼ不可能である。理想を言えば Hunter や Jockey が先陣を切り、生存者を陽動した上でBoomerが出現し攻撃、その後他の感染者が拘束するべきである。 Boomer が臆病で出られないと、感染者の攻撃の機会がどんどん減ってしまう。Boomer は生存者に対して積極的にアプローチするようにしよう。 Boomer の胆汁は質量を持っており、ある程度仰角をとって吐けば意外と遠くまで当たってくれる。 胆汁の視界悪化は10秒間、10秒から5秒間かけて元に戻っていく。 生存者からは一切見えない位置から胆汁をかけることができるポイントがいくつかある。 生存者 複数の生存者が胆汁にかからぬよう隊列に気をつけ、固まり過ぎないこと。 特殊感染者の攻撃が始まったら常に Boomer を警戒しよう。Charger や Hunter、Jockey に気を取られていて、後ろから Boomer が迫ってきているということも少なく無い。 物陰に注意しながら進むようにしよう。 Boomer が湧けるとき/湧いている時はフェイントを駆使して胆汁を誘発させよう。 胆汁がかかっても慌てず味方のヘルスを確認し、拘束されている人が居ないか判断しよう。拘束されている人が居たら視界が悪くなる前の位置を思い出し、音を頼りに助けに行くこと。 胆汁がかかるとBGMが変わりTank出現時のBGM等が聞こえなくなる。 攻め方 胆汁をかける 前 Boomer 生存者の群の前から出る方法、前方を歩いている1~2人にかかる。 成功確率は3割程度。 大抵は撃たれるか殴られてかけられないことが多いので、リロードしているタイミングを狙う。 後 Boomer 生存者の群の後ろから出る方法、ラッシュや他の特殊感染者を処理して立ち止まっている生存者には高い確率で複数にかかる。 移動中の生存者にはかからないので、相手の状態を見ること。 中 Boomer 生存者の群がある程度離れて移動している時に、前を行く生存者が通り過ぎた辺りで出て後ろにかける方法、1~2人に安定してかかる。 成功率は4割程度。 前 Boomer と同じように対処される。 高低 Boomer 生存者よりも下から、生存者よりも上から出てかける方法。 あまり上過ぎたり下過ぎたりするとかからないことが多い、成功率は9割程度。 確実に1人、うまくいけば4人全員にかかるが、あまり欲張らないように。 隠れ Boomer 高低 Boomer の応用で、生存者に見えない位置からかける方法(低 Boomer は狙わなくてもそれになる)。 高 Boomer はなかなか難しいので、余裕のあるときに練習するとよい。 落ち Boomer アクセル(※後述)を使用して、落ちた後に回りながら胆汁を吐く。 1~2人に安定してかかります。 成功率は6割程度、落ちている最中に殺されることも少なくない。 自爆 胆汁をかけた後そのまま生きているなら、タイミングを図って生存者の群へ突撃するのが良い。 Boomer は胆汁のリチャージに要する時間が非常に長いため、生き残るメリットは全くない。 突っ込む目安は、仲間が突撃した瞬間。 それより早すぎると途中で処理され、それより遅いと仲間が殺されてしまう。 生存者に殴られず、且つ爆発した場合に胆汁をかけられる間合いを保つこと。 連れ去られた生存者を救出に向かっている時や、他の特殊感染者を狙っている時は、セカンダリで引っかいて妨害するとよい。 気づかれていないのなら、生存者の射線上に割り込むのもアリ。 爆発に巻き込まれた特殊感染者は仰け反りで拘束も解けてしまうが、結果的に仲間の命を永らえさせることができる(※後述)。 生存者の群の間に入って、殴り爆発を誘うのもよい。 小技 アクセル Boomer ゴースト状態の特殊感染者は、ジャンプ時にスポーンするとその運動エネルギーを保持したまま出現する。 これを利用して、ゴースト時の第二速度で出現する技を俗に「アクセル」という。 Boomer は第一速度でも通常の歩きより速いので、非常に有効な使い方。 ただし音で見つかりやすいので注意。 外人 Boomer (外人豚) 生存者から見えない位置、且つ進行方向で、スポーンして待っていても安定して胆汁をかけることができるその場所と手段を俗に「外人 Boomer」という。 アラート車を利用 Boomer が死亡したときの爆風でアラート車を鳴らすことが出来る。 Boomer の爆発による感染者の拘束解除 他の感染者が Boomer の爆発に巻き込まれると、よろけて拘束が解除される。 Hunter と Charger はすぐにチャージが溜まった状態になるが、Smoker、Jockey は充電に時間がかかるので、爆発に巻き込まない・巻き込まれないよう注意。 Hunter、Charger は再度拘束を狙うもよし、殴り・引っかきまわるのもよし。
https://w.atwiki.jp/lotroquest/pages/108.html
THE VALE OF ANDRATH / アンドラスの谷 クエスト・シリーズ:THE BAYING OF WOLVES / 狼の咆哮 依頼者:グリムブリアー巡視隊長(CHIEF WATCHER GRIMBRIAR) 「アンドラスの谷(the Vale of Andrath)は、ブリー郷の南の玄関口だ。南丘陵(the South Downs)、褐色人の国(Dunland)、アイゼンガルド(Isengard)、ローハンの谷々(the Gap of Rohan)――山賊たちをどうにかしないと、これらすべてがブリー郷から遮断されてしまう。シャーキー(Sharkey)が単なる山賊の親玉でないのは明らかだ。まったく忌まわしいことだが、奴は自軍の増強に混血種族を雇い入れているのだからな。 アンドラスの廃墟を監視するために、私は部下を送ったのだが、今は彼らが囚われたか、もっと悪いことになっていないかと怖れている。頼む、南へ向かって緑道の十字路(the Greenway Crossing)を超え、塚山の影も超えて、私の斥候たち、オークデイル(Oakdale)とブリットルリーフ(Brittleleaf)を探してくれ。彼らは廃墟のそばの安全な場所、恐らくは東側で見つかるはずだ。 最悪の結果が恐ろしい、どうか急いでくれ。そして気をつけろ! 十中八九、あそこは忌むべき場所となっているだろう」 !グリムブリアーの斥候を見つけたらこちら 目的1 ●グリムブリアーの斥候を見つけ出し、彼らと話せ 山賊の野営地は、緑道の十字路を遥か南に下った、アンドラスの谷の最南端にある。グリムブリアーの部下、ブリットルリーフとオークデイルの両巡視員は、その近くに隠れているはずだ。 グリムブリアー巡視隊長は、シャーキーの男たちと半オークの同盟軍が、アンドラスの谷を封鎖したことを知った。彼はあなたに、部下を助けるべく南方へ旅するよう依頼した。 背景 シャーキーの男たちと南方から来た半オークの援軍は、アンドラスの谷を封鎖して南方諸邦との商取引を妨げている。 クエスト・データ 適正レベル:15 クエスト・タイプ:ソロ 前提クエスト:SHARKEY S PLAN / シャーキーの計画 派生クエスト:BRIGANDS AND HALF-ORCS / 山賊と半オーク、 MUST HAVE... / なくてはならぬ...、NEEKER-BREAKER / コウベサセ虫、 SHARKEY S LIEUTENANT / シャーキーの副官、 SOUTHERN FIEND / 南方の悪鬼
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Little darlin don t you see the sun is shining Just for you, only today If you hurry you can get a ray on you, come with me, just to play Like every humming bird and bumblebee Every sunflower, cloud and every tree I feel so much a part of this Nature s got me high and it s beautiful I m with this deep eternal universe From death until rebirth This corner of the earth is like me in many ways I can sit for hours here and watch the emerald feathers play On the face of it I m blessed When the sunlight comes for free I know this corner of the earth it smiles at me So inspired of that there s nothing left to do or say Think I ll dream, til the stars shine The wind it whispers and the clouds don t seem to care And I know inside, that it s all mine It s the chorus of the breakin dawn The mist that comes before the sun is born To a hazy afternoon in May Nature s got me high and it s so beautiful I m with this deep eternal universe from death until rebirth You know that this corner of the earth is like me in many ways I can sit for hours here and watch the emerald feathers play On the face of it I m blessed When the sunlight comes for free I know this corner of the earth it smiles at me I know this corner of the earth it smiles at me I know this corner of the earth it smiles at me I know this corner of the earth it smiles at me I know this corner of the earth it smiles at me This corner of the earth, is like me in many ways I can sit for hours here and watch the emerald feathers play On the face of it I m blessed When the sunlight comes for free I know this corner of the earth it smiles at me